Game of Thrones – “The Prince of Winterfell”
Posted: May 20, 2012 Filed under: Game of Thrones, HBO | Tags: D.B. Weiss, David Benioff, Emilia Clarke, entertainment, Game of Thrones, George R.R. Martin, HBO, Jack Gleeson, Kit Harington, Lena Heady, Maisie Williams, Michelle Fairley, Nikolaj Coster-Waldau, Peter Dinklage, Richard Madden, Sophie Turner, television, The Prince of Winterfell, TV Leave a comment »
Huh? You guys can’t wait for “Blackwater”? Yeah, me neither.
I’ve talked a lot this season about the chess game this show is constantly playing against itself. For anyone who had the misfortune of seeing Battlefield Earth, you know that adapting 1,000-page books for the screen is no easy task, and it only gets harder when your television season is ten episodes long. Last year, it seemed like the entire season was setting us up for the last couple of episodes, and with HBO using the Battle of Blackwater Bay to promote the show this year, I think it’s safe to say the same thing is happening here.
This can be good or bad, depending on how you look at it. I, like any red-blooded American, saluted the flag when I saw the teaser for next week’s episode. This is a cool show. And when I hear Tyrion Lannister say things like, “There are brave men knocking at our door. Let’s go kill them,” my blood pressure goes up and I, too, want to kill people. But, also like Tyrion, I’m enjoying the titular game in Game of Thrones much more than I thought I would. It isn’t a hard thing for any of these characters to pick up a sword and kill someone, or set them on fire, or tear them limb from limb, or sex them to death (that’s a thing that’s happened, right?). But working things behind the scenes, like Tyrion and Varys and Petyr Balish takes skill, and when the show shows us that, it’s just as captivating as all the blood and guts (don’t judge me, hypocrites).
And from the look of things, there are enough politics and maneuvering to keep this show going for a long time yet. Even as King’s Landing prepares for war, we see Tyrion having to deal with Cersei, who’s taken Ros as prisoner, thinking that she was the “whore” Tyrion had been hiding. That was nice bit of business between the two of them, once Cersei brought Ros out. Ros followed Tyrion’s lead and played along like she was his lover, but there was so much that wasn’t being said, but the real action was in the subtext. Tyrion letting her know that she’d be alright, she just needed to play along for a little while longer**.
(**I think it’s worth asking why she was playing along at all. If someone came and started punching me in the mouth and accusing me of being someone’s lover, I imagine I’d tell them that it wasn’t the case. Assuming, of course, that it wasn’t the case. Is Ros expecting something from Tyrion in return for her silence?)
Tyrion comes out as soon as Ros is taken away and tells Cersei that one day he’ll make her pay for everything she’s done. He’s kind of forced to shove it off to the side for right now. Too many irons in the fire. Too many other things to worry about. While walking along the castle walls with Varys, discussing the game and how much fun it is playing it (and shouldn’t we hate the game and not the player?), Varys tells Tyrion that he’s recently received word that Daenerys is in Qarth, and she’s got three dragons with her. They’re babies now, but when those things get older, man, they’re all f***ed. One game at a time, Tyrion tells him. Right now, King’s Landing is busy getting ready for Stannis. And speaking of, this week we were finally introduced to Stannis Baratheon, Robert’s brother and (as he says) the rightful heir to the Iron Throne. Wait, what? Stannis has been around the entire season? Ooooh. It only felt like he had been gone for 50,000 years.
Speaking of irons in the fire, this week finally saw the coming together of Robb and Talisa, which, let’s be honest, we were all really looking forward to. I’m not ashamed to admit that I had my Kathy Geiss moment, where I was screaming, “KISS!!” at the television screen. Oona Chaplin’s (yes, that Chaplin) a great actress, and I have to say I’m enjoying her performance here much more than I did in The Hour. But while their love affair warms the cockles of my heart, I can’t help but think that the entire thing is going to end in tears. Robb’s tough, but he’s too nice a guy. I don’t think he’d be one to blunder into getting his head chopped off, but he’s got too much of his dad in him. I just don’t think rulers like him are very long for a world like Westeros. Maybe Robb’s more cunning than I’m giving him credit for. And perhaps, when the time calls for it, he can be more ruthless. It’s just that entire garrison of prisoners he’s got, consuming his men’s resources that makes me say that’s not the case.
This week, we finally got some traction on the Jon Snow storyline. With Ygritte and her posse taking him to the King Snow-worshiper, or King of Bones or whatever the hell he’s called. In an unexpected twist, they take him and trudge off into the Icelandic wastes. Brave storytelling is what you call that. Can’t wait to see where it goes.
Just to close things out, I’ll say that because I’m a complete idiot, I imagine Game of Thrones taking places on a planet that humans crash landed on at some point in the future, and through time and whatever else, lost their technology and most of their history. Astronauts are the First Men and so on. It’s stupid, I know, but whatever. So it got my spidey senses tingling this week when Sam and Gren found that cloak buried in the snow, filled with spears made of “dragonglass,” and we hear Sam say, “The maesters call it obsidian.” I really thought that if they just kept digging, they’d find an Apple store and a Jamba Juice.
Game of Thrones – “A Man Without Honor”
Posted: May 13, 2012 Filed under: Game of Thrones, HBO | Tags: HBO, television, TV, entertainment, Game of Thrones, George R.R. Martin, David Benioff, D.B. Weiss, Lena Heady, Jack Gleeson, Michelle Fairley, Emilia Clarke, Sophie Turner, Maisie Williams, Peter Dinklage, Nikolaj Coster-Waldau, Kit Harington, Richard Madden, A Man Without Honor Leave a comment »
Alan Sepinwall posits that it’s Jaime Lannister who lends this episode its name. And sure, there’s no doubt that Jaime is a lying sack of crap, but I think there are a few others vying for that honorific; the titular Man Without Honor.
The most obvious contender would have to be Theon Greyjoy, who’s really turned into that guy now that’s he’s taken control of Winterfell. He’s gotten tougher since leaving the Iron Islands to raid fishing villages, I’ll give him that. But now, he’s just being a dick. Whereas you could see Bran slowly morphing into a wise and kind leader — much like his dad — Theon’s the guy who came from the back of the pack, won the day, and now needs to rub it in everyone’s face. He was given a bum deal, sure. His dad gave him a crew that didn’t respect him, so Theon needed to pick out the biggest, baddest motherf***er on his first day in the prison yard, show that he wasn’t gonna get played like a punk. I understand that. But now that he’s gotten a taste of victory, he’s got the junkie itch. He’s got to do it again and again, because if he talks a big game and then can’t back it up, he’ll lose the support of his men. And that can’t happen. Especially now, before his dad and sister have had a chance to see all the awesome things he’s done.
Another contender would be Xaro Xhoan Daxos in Qarth, who’s going around with Dany — who looks like she’s ready to KILL somebody — telling her that he wasn’t the one who kidnapped her dragons, because hey, he’s rich, and if they don’t come with Dany herself then what’s the point? But whenever Dany confronts the Thirteen about it, that weird John Waters guy gets up, says he stole the dragons, and that he was put up to it by Xaro, who’s just declared himself the King of Qarth! And then he does his weird prestige thing and kills everyone! What the hell, man?! How’s this guy doing that? Why did Xaro deny stealing the dragons and then come out like twenty minutes later and admit it? How long until Dany and Ser Jorah give in to their THROBBING CARNAL DESIRES?? It’ll be a little while yet, apparently, with he and Dany and Henchman #2 hightailing it out of there like it was some Scooby Doo cartoon. My love for Emilia Clarke runs deep, but Dany’s story has been my second least favorite part of this season (my least favorite has been Jon Snow, but more on that in a minute). The mystery surrounding Qarth, and then the dragons being taken has all seemed a little contrived. But I’m willing to stick it out and see where it goes. All this talk about the House of the Undying has my interest piqued, nightmares about Pink Flamingos notwithstanding.
And of course, there is Jaime Lannister. It may not be surprising to hear the man who was having regular sex with his sister described as without honor, but that’s Obama’s America for you. I’m kind of surprised that we’ve seen so little of Jaime this season, although I suppose watching him sit there, tied to that stake wouldn’t make for very riveting television. It’s kind of interesting to compare these three men, Theon, Xaro, and Jaime. Theon we’ve come to know over the course of the series, and we’ve seen exactly what he’s going through this season over the course of several episodes. So it’s a slow burn. Xaro’s motivations for declaring himself king seem to stem from that usual suspect: a desire for power. Of course, all of these men want power, but Xaro’s a tertiary character, and I imagine that once this business in Qarth is concluded we won’t be seeing much of him (although I haven’t read the books so who the hell knows what’s going to happen). Even though we haven’t seen a lot of him this season, we really get a look into what kind of person Jaime is this week. When his cousin Alton’s thrown in the pen with him, we watch Jaime play into this kid’s hero worship. And when he’s got his complete attention, he smashes him in the face, caves his head in (still better than drowning) and escapes. Until Robb’s forces catch him, anyway. The whole thing is kind of a win-win for Jaime. If he escapes, then great! He escapes. But if he’s caught, well that sucks, but what are the Starks going to do to him? I don’t know if you’ve heard anyone say that Jaime’s worth more alive than he is dead, but if you haven’t, he’s worth more alive than he is dead.
And then, groan, we have Jon Snow. Who surprise, lets Ygritte lead him around like a dog, through land she knows infinitely better than he does, and right into the hands of her people. I can’t wait to see where we’re headed next week with this. Wherever it is, I bet it’ll involve lots of aimless wandering, and Jon Snow looking pensive about the choices he’s made.
Another breast-free episode this week. I’m not sure I approve of this bold new course the show is setting. It’s really screwing up my Sunday Night Boob Run, which right now consists of Game of Thrones, Girls, and The Borgias. Right now, HBO makes me feel like a classy pervert. I’d hate to have to go to Cinemax and ruin that.
Mad Men – “Lady Lazarus”
Posted: May 6, 2012 Filed under: AMC, Mad Men | Tags: Aaron Staton, AMC, Christina Hendricks, Elisabeth Moss, entertainment, January Jones, Jared Harris, John Slattery, Jon Hamm, Lady Lazarus, Mad Men, Matthew Weiner, Rich Sommer, Robert Morse, television, TV, Vincent Kartheiser Leave a comment »
The times, they are a’changin’. For Mad Men as well as all the characters in it. I’m a huge apologist for all the shows I love, so it’s easier for me to say that the show’s just as good as it’s always been, it’s just telling different stories than we’re used to. I know there are a few people out there who wouldn’t agree, but whatever.
Don’s getting older, and if all the bright colors and loud music the kids are so into these days weren’t enough of a reminder of that, he’s got Megan in the kitchen cooking IN HER BARE FEET to really drive the message home. In a conversation about pop culture, Megan tells Don that everybody’s trying to catch up to it because it’s always changing. That’s probably something Don’s more likely to roll his eyes at and walk away from, like we see him do at the end of the episode while listening to The Beatles’ “Tomorrow Never Knows.” Still, that knowledge — or fear, rather — that the world is beginning to move more quickly than Don’s able to keep up with is ever-present. That’s what that empty elevator shaft symbolized, in case you were wondering. Staring into the abyss. Into a world that has no place for him. All that good stuff.
Again, we find ourselves contrasting Don’s relationships with Betty and Megan. When he and Betty were still married, we saw that Don had kind of adopted a “there’s the door” policy any time Betty found that she was unhappy with her station in life. Regardless of whether or not Betty was justified in being upset, Don didn’t really care.** But now, with Megan, I really think Don’s recognizes there’s a possibility that she could leave him. So whenever she wakes him up in the middle of the night and says that she doesn’t really want to go into advertising, he says “mazel tov,” wishes her luck on the acting scene, and really swallows his feelings about the whole thing.
(**Although, to be honest, you have to know and understand what’s going on before you can choose to care about it or ignore it. I don’t think Don ever really took the time to understand the things Betty was going through.)
But Don’s anger follows the Law of Conservation of Mass. That is, it can neither be created nor destroyed. And if Don isn’t going to yell at Megan for leaving the biz, he’s sure as hell going to take it out on Peggy, because she never gave Megan a chance and everyone at the office is petty and blah blah blah. Peggy’s not having it, and when she tells Don to shut up, well, I did a little victory lap around my sofa. Peggy Olson, how far you’ve come.
Peggy’s come a long way with all of her relationships at SCDP. She yells at Don. A few weeks ago she wasn’t afraid to tell Bert that she was leaving the office in the middle of the day to go to the movies. This week, when Pete stumbled by her office with his arms full of skiing equipment, she needles him, asking if he’s a really good skier. Like, famous good. This doesn’t really have any huge relevance to the episode, but it’s a nice reminder of how much Peggy’s grown as a character.
Speaking of Pete, things really aren’t going well for him. Well, let’s qualify that. Professionally, things are looking up. People know his name and want to work with him. They’re sending him expensive skis. Roger seems happy with the whole things and is content to sit on the sidelines while Pete does the real work. At home, it’s a different story. But I don’t think the show has done as good a job as it did with Don showing the audience why Pete would be so unsatisfied with life with Trudy. What little we’ve seen points to him feeling emasculated for some reason. Don coming in life effing Superman and fixing his sink while Trudy, Megan, and Alex Mack jump up and down, dripping wet, and cheering. He’s been rebuffed by the girl from his driver’s ed class and, in tonight’s episode, by Rory Gilmore. This is a side of Pete’s life we’re only really starting to get into, so who knows where it’ll go. But right now, Pete looks like he’s ready to drive off a cliff.
What was I talking about? Right. Don and Megan. Their relationship is fundamentally different than his and Betty’s. Gabbing in the breakroom — as the fairer sex is wont to do — Joan talks Megan up as if she and Betty, and Don’s relationship to both of them, is the exact same thing. Megan’s leaving the company to pursue acting. Don met Betty at a photo shoot, etc. Peggy’s the one who says that isn’t the case, and that Megan is the woman Don’s always been looking for. And because of that, he’s willing to do a lot more for her than other women he’s shared a bed with. That includes trying to navigate the world Megan still travels in. Although that’s easier said than done. Halfway through “Tomorrow Never Knows,” (I wonder how much the show paid to use the song) Don shuts the record off and walks out of the room. I guess finding his way there is going to take Don some time.
Game of Thrones – “The Old Gods and the New”
Posted: May 6, 2012 Filed under: Game of Thrones, HBO | Tags: HBO, television, TV, entertainment, Game of Thrones, George R.R. Martin, David Benioff, D.B. Weiss, Lena Heady, Jack Gleeson, Michelle Fairley, Emilia Clarke, Sophie Turner, Maisie Williams, Peter Dinklage, Nikolaj Coster-Waldau, Kit Harington, Richard Madden, The Old Gods and the New Leave a comment »
A few weeks ago, I said that I didn’t hate Theon Greyjoy, but I hated his family. Well, much like President Obama, my thoughts and feelings on the matter are constantly evolving. And after a period of some weeks I’ve come to the conclusion that Theon needs the ever-loving piss beat out of him.
In “The Ghost of Harrenhal,” Ser Jorah told Dany that kind and wise rulers were rare things, and we’re starting to see the proof of that with this crop of Amazing Race contestants, all in their mad dash to the Iron Throne. We knew Robert was a drunk and a man whore. We knew from the second we saw that little bastard’s face that Joffrey would grow up to be a crazy person, but we’re now getting a sense as to how everyone else would rule, given the chance.
Theon’s got a point: he can’t fight for Robb and his father. But the side he ends up choosing says a lot about the kind of person he is. He’s interested in power. And he sees falling in line with his dad and his sister (and those dead eyes of hers) as the fastest way to achieving that. If, in the process, he has to betray — or, in the case of Ser Rodrik, kill — the people who raised and cared for him, then so be it. So Theon struts around, getting pissy when people don’t call him lord or prince or whatever, and has anyone sent word to his dad to let him know his son’s taken ALL OF WINTERFELL???
The thing is, Theon isn’t honorable, or even very smart. And when Osha shows up in his room that night, rubbing her private parts all over him (in exchange for her freedom), Theon lets his guard down and hands the wheel over to Mr. Knish. Later, Osha sneaks out and escapes with Bran, Rickon, and HODOR**.
(**But not before slitting one of Theon’s guard’s throats. Yet another man without enough blood in his body to use his brain and penis at the same time. If a woman EVER jumps out of the shadows and tells you that she’s there just to get down and dirty with YOU… SHE’S LYING. I speak from bitter, bitter experience (through a stoma microphone).)
I assume Bran and co. are going to try and meet up with Robb, who has the kind eyes, muscular shoulders and perfumed hair of virtuous leaders throughout history. When we join Robb, we see he has another run-in with Lady Talisa and learns that she also comes from a noble family. That’ll make it that much easier for the two of them to have sex with each other, which they very obviously want to. The only thing really standing in their way are these rules Robb speaks of. Rules the nobility are forced to play by in their dealings with each other. Also Catelyn, who proves herself part of a proud tradition of mothers ruining things between their sons and attractive women. It’s just as well that Catelyn runs Talisa off, because when Robb gets word that Theon’s TAKEN WINTERFELL IN THE NAME OF BALON, LORD OF THE IRON ISLANDS, the monster comes out, and he demands that Theon be captured and brought back to camp alive, so that he may understand his treachery before taking his head. And really, that’s not a side we want to be showing the ladies.
Scientists have tested, done double blind studies and published papers proving that Tyrion Lannister is the best thing about Game of Thrones. Likewise, they’ve used science to prove that Joffrey is a little shit, so it was a kind of perfect storm of awesome to watch Tyrion slap his nephew right across the face. If only to get him to shut up about executing his entire effing kingdom for throwing cow s**t and laughing at him. Tyrion going off about how this is exactly why his kingdom hates him is the kind of thing you’d like to think is going to wake him up, maybe serve as a little course correction. But it’s too easy to it pushing him completely over the edge. If he wasn’t crazy before, this is definitely going to push him over the edge. Either that, or send him crying into the arms of Cersei, who will come up with some way to try and get Tyrion out of the city, or have him killed, because damn this family is weird.
Beyond the Wall, the Night Watch’s search for whatever lies beyond the Wall continues. Danger, Wildlings, ice. We’re not sure what they’re going to find, but damn is it boring. Now, Jon Snow’s run across one of the maids from Downton Abbey, and of course they get separated from the rest of Jon’s group. Now they’re free to roam across the whole of the Svínafellsjökull glacier, doing their Odd Couple bit. When we leave them, we see them huddling together, trying to preserve some warmth as the sun sets, with Ygritte wiggling around, trying to get comfortable, but really rubbing against Jon Snow, you know, in that way. Don’t give in, Jon. We’ve seen where that path leads.
I’m not sure if I should be weirded out by the chemistry between Tywin Lannister and Arya Stark. That’s wrong, right? But I love watching them talk. Rather than getting sucked into that relationship, developing any sort of loyalty to the man despite the compliments he pays her and the regard we can see him begin to hold her in, Arya’s paying attention to what she’s hearing in Tywin’s war council, and even steals a note concerning troop movements against Robb. I never understood why people in her position would be so stupid to take those sorts of sensitive things to read them out in the open, and hold them right out in front of them so that whoever they invariably run into — and they always run into someone — can grab it and ask, “What have we got HERE?” in a gruff voice. That was only made worse by having Arya run into Jaquen and getting him to kill Ser Armory toot sweet. Didn’t really ring true. But I guess it can’t all be magic.
I want to end this by talking about an issue that’s very dear to me, and that’s animal cruelty. I love Dany very much. But I can’t help but agree with that spice trader. She’s talking a big game, but her claim to the Iron Throne isn’t built on much. And she’s betting on an awful lot of support that may not be there once she gets back to Westeros. So I can’t help but cringe a little when I hear her threats about blood and fire and killing everyone who doesn’t give her everything she wants. But then she and Think Tank get back to her place, and we see all the dead bodies, and we see that the dragons are missing. And now I want Dany to KILL. EVERYONE. I have a soft spot for animals, and it sometimes causes me to act irrationally. Although in this case I feel like killing everyone would be a completely appropriate response.
Others may disagree.
Game of Thrones – “The Ghost of Harrenhal”
Posted: April 29, 2012 Filed under: Game of Thrones, HBO | Tags: HBO, television, TV, entertainment, Game of Thrones, George R.R. Martin, David Benioff, D.B. Weiss, Lena Heady, Jack Gleeson, Michelle Fairley, Emilia Clarke, Sophie Turner, Maisie Williams, Peter Dinklage, Nikolaj Coster-Waldau, Kit Harington, Richard Madden, The Ghost of Harrenhal Leave a comment »
Wow. An entire episode of Game of Thrones, and not a bare breast to be found. We truly live in an age of wonders.
Well, another one gone. It turns out Renly Baratheon — and his claim to the Iron Throne — weren’t long for this world. Granted, his death wasn’t the huge WTF moment that Ned’s was last year, but still, it was a pretty big surprise. I definitely wasn’t expecting it. But once it was over I found that I didn’t particularly care, either. Part of that was because I didn’t have the emotional connection to Renly that I did to Ned. And part of it was because his death was so effing weird. It wasn’t Stannis or one of his bannermen that did Renly in. No, it was that weird smoke monster (!!!) that came out of Melisandre last week. Catelyn and Brienne, the only witnesses to this sorcery, just kind of watch, not really sure what’s going on, before the thing melts into the floor and escapes and they’re forced to beat a hasty retreat themselves. Because who’s going to believe that a smoke monster could appear out of nowhere and kill the king? Of course, Catelyn almost has to drag Brienne off kicking and screaming, giving her what would be the first of three, “You can’t avenge him if he’s dead!”‘s.
Before, I was ready to write Stannis off. Renly said that no one wanted him as their king. I didn’t want him as my king. Renly had what? 150,000 people fighting for him, something like that. No fuss, no muss. He’d make short work of Stannis and then we could all turn our attention toward that bastard Joffrey. But now, with Renly men all pledging themselves to Stannis, who the hell knows how things will work out?
Although, I’d say that in a hypothetical match-up between Stannis and Robb Stark, there’s no obvious winner. Robb is obviously causing the Lannisters a lot of heartache, from what we overhear in Tywin’s war council. Now that Arya’s serving as Tywin’s cupbearer, I imagine she’ll be privy to all sorts of sensitive information. The question is, what’s she going to do with it? I doubt there will be much she’s able to sneak out and to her brother. But she’ll more than her share of opportunities to feed Tywin false information, and we saw a bit of that tonight. It turns out Arya’s making all kinds of important friends. The latest of which, Jaqen H’ghar, whose life she saved when Arya’s group was attacked by the Lannisters’ men, pledges to give her three lives, to make up for the three she stole from the Red God.**
(**I thought this was interesting, to see others outside of Stannis’ forces who also believe in Melisandre’s god. Are we going to see more of this going forward? Maybe a full-fledged religious uprising, or maybe some sort of Jonestown, Reverend Moon craziness further on down the road?)
Last week we saw the preparations for war being made by Renly and Stannis, and now we see what Joffrey’s been up to, what Cersei was so happy to keep hidden from Tyrion. It turns out that they’ve had the city’s pyromancers working on producing a substance called wildfire, which I suppose is something like napalm, that they’ll be able to launch from catapults at any approaching army. As Tyrion’s being shown just how much wildfire they’ve stockpiled, Bronn ticks off the reasons why working with it is such a bad idea, and Tyrion tells the pyromancer that he’s no longer making wildfire for the queen, he’s making it for Tyrion. I’m not sure how that’s supposed to work. It’s not like the pyromancers can deny the queen, or Joffrey, the stuff whenever they come calling for it. And what’s Tyrion going to do with it? He doesn’t command any armies. Time will tell, I guess.
Dany’s storyline took a big leap forward this week. And behind all the craziness with Melisandre’s smoke monster, this was the part of the episode — not to mention the larger story — I liked the least. Dany wants to take the Iron Throne for herself. But aside from three baby dragons, she hasn’t got much to do it with. She needs ships to get to Westeros. She needs men to fight for her. She needs supplies and weapons and a million other things, and right now she’s got none of that. So what’s she to do? I bet it’s going to be pretty difficult getting a hold of all that stuff, right? Wrong! It turns out there’s a rich guy in Qarth who will fund the whole thing, as long as Dany marries him. What luck! My problem with this was that it just didn’t feel very organic. And it was even more jarring coming from a show that, nine times out of ten, feels very natural and organic. This just felt like the story couldn’t work without it, so the writers had to throw it in there.
But as far as Dany’s concerned, this wasn’t my biggest problem. As it turns out, my biggest problem wasn’t with the show at all, but with my reaction to it. While this guy from the Thirteen — Think Tank from Rocknrolla, so we’ll just call him Think Tank — is walking around, chatting Dany up, he asks her how long her manservant has been in love with her. Well, if you had asked any of us if Ser Jorah was in love with Dany, we probably would have said, yes, he is. Even though I knew that, tonight was the first time I really consciously thought about it, and realized that I was actually rooting for the two of them to get together. And then I realized I was getting worried that Dany would actually accept Think Tank’s offer! They can’t do that! Jorah deserves better. Isn’t he a good guy, staying by Dany’s side in the middle of all this crap because he really believes she’d be a good ruler, just like he told her? That not only would she be respected and feared, but also loved? It obvious he loves her, and now she sees it, too. And she changes the subject. Just like a woman. I don’t know what to think. I need to spend some time this week, trying to work through all these feelings. This is a disturbing turn of events. More for myself than the show. I hear the term “shipper” and something inside me dies. Anyway, I hope Dany and Ser Jorah get married and have, like, a million babies!
Oh yeah, Jon Snow, and more stuff beyond the Wall.
Funny, isn’t it, that when the show focuses so strongly on the women for a week all the sex goes away? Of course, in its place we get Dany messing with a guy who has honest feelings for her, so I’m really not sure it’s any better.
Game of Thrones – “Garden of Bones”
Posted: April 22, 2012 Filed under: Game of Thrones, HBO | Tags: HBO, television, TV, entertainment, Game of Thrones, George R.R. Martin, David Benioff, D.B. Weiss, Lena Heady, Jack Gleeson, Michelle Fairley, Emilia Clarke, Sophie Turner, Maisie Williams, Peter Dinklage, Nikolaj Coster-Waldau, Kit Harington, Richard Madden, Garden of Bones Leave a comment »
Anyone who’s flipped through those Dramatis Personae sections at the back of every Song of Ice and Fire book knows how effing massive the world George R.R. Martin’s created is. And while the television show will never be able to introduce that many characters to its audience, I don’t think it’s going to stop them from trying. Season two’s seems to have grown considerably over season one, and from what I’ve heard, that’s not a course the show’s going to reverse over these next couple of years.
So what the hell’s my point? Well, part of the fallout means that we’re not going to see our favorite characters every week (that goes for everyone except Peter Dinklage). There’s just too much ground to cover for that. And that’s something we should take into account in our critique of this or that episode. Describing episodes as too plot heavy, or criticizing them for spending too much time moving the chess pieces around the board may be a bit unfair. It doesn’t have a choice. It’s something that’s woven into the DNA of the show.
Sooo, anyway, the show spent most of this week moving the chess pieces around the board. And it looks like we may see some actual fighting soon. This contrasts to all the fighting we didn’t see this week, when the show employed some nifty editing in showing Robb Stark’s campaign against the Lannisters in the Westerlands. And by nifty editing I mean a fade to black and the sounds of soldiers grunting and killing each other. That’s okay. The show’s got to save money where it can, and if it showed us every battle fought I doubt HBO would be able to keep it on the air for the 20 seasons it’s going to take to tell the rest of the story.
Whenever we rejoined Robb, we were introduced to Talia, a field nurse played by Oona Chaplin (that’s right, that Chaplin). Talia gives Robb all sorts of crap for killing and maiming scores of innocent people who have the misfortune to get swept up in the Starks’ and the Lannisters’ political BS, and she’s so damn good looking that Robb can only kind of stand there with one of those smiles we’re more used to seeing in Benneton ads. I imagine we’ll see her again, but I’ve been wrong before.
Back in King’s Landing, Peter Dinklage continues to earn his paycheck as the best thing about this show by every conceivable measure. First, by turning Lancel Lannister into his informant — what is it with this family and having sex with each other? — and then layer, coming into the throne room and smacking Joffrey down in the middle of one of his bitch fits, taking Robb’s victory against his forces out on Sansa, because it was probably all her fault. Tyrion and Bronn (who I’m starting to like quite a bit) decide that maybe if Joffrey got a little nookie, it might go a ways toward calming down his more sociopathic tendencies. So they send Ros and one of her friends to his room. And Joffrey, distracted away from the insects he’s been frying under his magnifying glass, responds by forcing Ros to beat her friend. I hate him so much.
Another sign that the show’s setting up the back half of the season for some good ole’, in your face ass kickin’ is Renly’s meeting with Stannis in the Stormlands. Stannis comes across as the guy who doesn’t really want to be in the position he’s in, but now that he’s here he’s going to do the best job he can. Renly’s the guy who just enjoys smacking everyone around with his private parts. And right now he’s got the bigger army, and more noble families have pledged fealty to him, so there’s that. But Stannis has got that freaky redhead and whatever the hell that thing is inside her, so who knows how all of this is going to shake out.
Finally finally finally it looks like Dany’s going to get a chance to take a bath and run a comb through her hair, which we all knew was going to have to happen sooner or later, but still. I have to say, the argument laid out by that “humble merchant” seemed pretty on the nose, despite my misgivings about seeing Dany and her retinue dead outside the city walls and my deep love for Emilia Clarke. Their survival is completely dependent on Qarth’s goodwill. She’s talking a big game about burning cities to the ground and all that, but ain’t no one burning nothing if she and the dragons starve to death. So it was really a matter of narrative meccessity that Nonso Anozie speak up, vouch for Dany’s group, and let them inside the city.
I’ve talked a lot about — and will talk a lot about — how frakking big this show is. It’s something that never ceases to amaze me. And “Garden of Bones” managed to take that to even greater heights by introducing us to Harrenhal, which, under the command of the Mountain, has turned into some medieval version of The Road, where every day prisoners are plucked from their holding pen, tortured for information, then killed whether that information’s given or not. While the violence in this show can be brutally graphic, what we’re shown at Harrenhal is terrifying in a way that that other stuff isn’t. And it’s easy to look at Arya and Gendry and say, “Sorry, but you’re probably going to die here.” Luckily, Tywin Lannister rides into town — as angular and severe as ever (seriously, you could cut a roast on this guy’s face) — and “saves” the day, outing Arya as a girl and taking her as his cupbearer. Now, killing all those people whose names we heard to repeating to herself over and over again throughout the night — and what a nice bit a business that was — seems that much closer.
Instead of chess, Chutes and Ladders may be a more apt description of the show, as we’re watching the fortunes of all these characters — beyond the armies — rise and fall. In any case, all of that maneuvering looks like it’s about to pay off, whether in gratuitous violence or sex we’re not sure yet, but sometimes it’s about the journey, not the destination.
Mad Men – “Signal 30”
Posted: April 15, 2012 Filed under: AMC, Mad Men | Tags: Aaron Staton, AMC, Christina Hendricks, Elisabeth Moss, entertainment, January Jones, Jared Harris, John Slattery, Jon Hamm, Mad Men, Matthew Weiner, Rich Sommer, Robert Morse, Signal 30, television, TV, Vincent Kartheiser 1 Comment »
Great episode, or greatest episode?
Look, I’m going to be honest. In my private, dark moments, I worry about Mad Men. I’ve been tainted by shows like Lost. I like to know that a show’s going somewhere. Shows like Lost you know are headed toward a definitive ending. An ending for a show like Mad Men is a little harder to define. Because the show could end in any one of a million ways, it’s a little easier to see it losing direction and floundering in its later seasons. But, for all those who’ve ever suffered a similar crisis of faith, know that there are episodes like “Signal 30.” Episodes that show up, stroke your hair like the mom from the Children’s Tylenol commercial, and let you know that Matthew Weiner is wise and good, and that all is right with the show. Also the world.
What do we love about Mad Men? We love the fact that Don is really Superman with a drinking problem. We love that Lane is British. We love watching Roger wax nostalgic. And we love hating on Pete. “Signal 30″ had all of that.
We’ll talk about Don and Pete first, since the show ended with the two of them in the elevator. Pete, his eyes puffy and his face swollen from his smackdown with Lane, and Don, wishing there was a window he could climb out of. It was an interesting role reversal these two had tonight. Almost since the show began, we’ve looked at Peggy as a sort of proto-Don, who, as a professional ad-(wo)man is slowly being made in his image. But tonight, we saw Pete as the new Don, with the real Don (also the old Don) watching him make the same mistakes he made all those years ago. When Don, Roger, and Pete take a Jaguar exec out for a bit of wining and dining and end up at a classy whorehouse, Pete gets his horndog on with an anonymous stranger while Don sits outside, nursing his drink. On the cab ride home, Pete acts incensed, coming right out and asking his boss where his balls have disappeared to, and accusing Don of judging him. Don tells Pete that he speaks from a lot of experience, and that if Pete plays fast and loose with his family like that then he really runs the risk of losing them. Don goes on to say that was a lesson he would have learned a lot sooner if he had married Megan before Betty.
Pete’s always been a small man trying to live in a big man’s world. And whenever you pull back, just to take a look around and seriously ask what it is that Pete doesn’t have, you see that it’s just that: he doesn’t feel like man. He’s got the wife and kid, the job, the house, which are all things you should feel good about. But all it takes is one dinner party, one leaky faucet, and one Don taking his short off and fixing everything with his bare man hands (not to mention being turned down by the 13-year old at drivers ed) to let all the air out of Pete’s balloon and make him feel like a loser. And when a guy like Pete feels like a loser, he has to make some grand gesture to recover his manhood.
That opportunity presented itself in the form of Lane Pryce, fresh off his own rejection, after discovering that the Jaguar deal had gone kaput after the exec’s wife found CHEWING GUM ON HIS PUBIS (something I imagine has ruined more than a few good days). Lane, who knew the exec and was trying to play the account man and close the deal for the agency, just wasn’t getting the job done. And now when he sees that Pete, Don, and Roger have turned everything all sixes and sevens (BRITISH!) he’s ready to come down on everyone with great vengeance and furious anger. Pete, little asshole that he is, chooses that moment to ask Lane what exactly it is he does at the agency anyway, and now Lane’s unbuttoning his short, ready to throw down. Our reaction is much like Don’s, Roger’s, and Bert’s: we know this shouldn’t be happening, that we should probably put a stop to it, but we just. Can’t. Turn. Away. So we close the curtain and let the two have at it.
Was there a single person watching the show who wasn’t rooting for Lane to hand Pete’s ass to him? I don’t think so. And luckily, we weren’t disappointed. With Pete laid out proper, Lane marches out of the room, bollocks hanging down to his knees. And he really deserved it. Life is treating him better than it was last season, but still, that guy doesn’t seem to have a whole lot to be happy about. And I know that knocking Pete out would make me happy, so it was nice to see Lane be able to mark that one up on the scoreboard.
With all the Pete/Lane/Don craziness, there was one nice moment in the show that kind of got glossed over. And that was Roger giving Lane pointers for his lunch with the Jaguar exec. I don’t think the show would ever get rid of John Slattery, but it isn’t hard to see him on his way out of the professional world. Roger is a guy who’s even having to say bye to his bad good days, where he’s not doing a ton of account work, but he’s still around, helping where he can with the agency’s bigger clients. He still does some of that. But it seems like he’s looked at more and more like a joke, and that Pete’s slowly taking all the real work he does away from him. And that’s not just how the show looks at him, but the audience as well. We don’t see him doing anything substantive, so it was nice to hear his talk with Lane. Giving him real advice on how to handle a meeting like this, and show that this was a business Roger really knew a lot about, and that his talents are kind of being wasted, just sitting in his office reading the newspaper. I also liked hearing him commiserate some with Ken, a “fellow unappreciated author.”
So, shame on me. I was wrong to think that Mad Men was a ship that could ever lose its way. We know that after this year, the show will most likely see another two seasons, and I take great comfort knowing that the show still has new things to show us about these characters, and new places to take them. Seriously great comfort, you guys.
Game of Thrones – “What Is Dead May Never Die”
Posted: April 15, 2012 Filed under: HBO, Game of Thrones | Tags: HBO, television, TV, entertainment, Game of Thrones, George R.R. Martin, David Benioff, D.B. Weiss, Lena Heady, Jack Gleeson, Michelle Fairley, Emilia Clarke, Sophie Turner, Maisie Williams, Peter Dinklage, Nikolaj Coster-Waldau, Kit Harington, Richard Madden, What Is Dead May Never Die Leave a comment »
Varys said something interesting this week as he and Tyrion kicked back with a bottle of wine, discussed the things they learned that day, and realized that each of them had found a better friend in the other than they had previously thought. He said, “Power resides where men believe it resides.” Well, that’s certainly true. But as we’re learning, there’s a great deal of power that resides with those who stand just out of the public eye, and oftentimes the power they wield is stronger than that of those they supposedly answer to.
I guess your initial response to a proclamation like that would be, “DER!” But I think you’d say that because you’re using a government like ours as a basis for your opinion. In our government, whoever’s in power depends more or less on a coalition of support to get legislation passed. In a land like Westeros, you don’t need that. What the king wants, the king gets. And I think that in a situation like that, the rulers are much less swayed by close advisers or others looking for personal gain. Then again, I majored in English so what the hell do I know.
My main reason for saying this is because I doubt there are a lot of people who look at Tyrion or Varys or Littlefinger or Maester Pycelle and see men who wield power, yet they all do. When Tyrion is trying to figure out which of these others would betray him to Cersei, he tells them each different stories about who he plans to marry Myrcella off to. When Cersei confronts him, screaming about sending Myrcella off to Dorne, he knows that Pycelle’s the one who gave him up. He’s still got to watch out for Cersei — who’s one crazy lady — but he’s gone a ways toward protecting his flank against the man who at least partly responsible for the deaths of his two immediate predecessors.
Of course, if you’re not as smooth behind the scenes as Tyrion Lannister, there are several other ways to seize power in Westeros. One of them is to go to war, much like the Greyjoys are planning. You know, I don’t hate Theon Greyjoy, but I sure do hate his family. Part of the reason for this is that, Theon has a point. Balon’s pissing and moaning about what a weak pup his son is, and how living with the Starks for years has made him soft, but who was the one who sent him off in the first place? It wasn’t Theon’s choice. The second reason is Asha Greyjoy’s dead eyes. Seriously, what the hell?
Anyway, Theon’s apparently decided to play the hand dealt him and go along with their batshit crazy plot, which is to raid cities up and down the coast and somehow end up in King’s Landing and on top of the throne. Whatever. I haven’t read the books, so I’m still holding out hope that life on that fishing boat turns Theon into a hardened and battle-tested killer, and that he pays his family back all sorts of sweet revenge. As with all things, time will tell.
If you don’t want to take risk declaring war and then losing, there are other options available to you. You could go the Renly Baratheon route. That is, take off, get some other people to like you and create their own kingdom just for you. Well, as it turns out, that’s working out well for Renly. He’s got quite a few guys backing him up, and Margaery Tyrell (as well as her brother Loras) to share his bed with. And as far as that goes, Renly really lucked out. It turns out Margarery doesn’t care if he’s still stuck in the closet. She understands that while Renly’s crowned king of the Seven Kingdoms, what he’s got right now doesn’t amount to much more than a government in exile. And now that Catelyn Stark’s come, looking sour but asking for help, Renly’s got a chance to be much more. And Margarery could be part of that.
So it’s anything goes in the race for the Iron Throne. And maybe the Stark’s and Baratheon’s brute strength will carry the day. Or maybe it’ll be the Greyjoy’s daring (it’d have to be their daring, because their plan is so f**king stupid). But, I think I’ll keep my money on Tyrion, just because watching him work is so much fun. While it may have been sad, watching Maester Pycelle dragged off like that, poor old man that he is, we can’t deny that Tyrion really is a smooth operator. Hate the game, not the player, I guess.
Mad Men – “Mystery Date”
Posted: April 8, 2012 Filed under: AMC, Mad Men | Tags: Aaron Staton, AMC, Christina Hendricks, Elisabeth Moss, entertainment, January Jones, Jared Harris, John Slattery, Jon Hamm, Mad Men, Matthew Weiner, Mystery Date, Rich Sommer, Robert Morse, television, TV, Vincent Kartheiser Leave a comment »
Man. After seeing what Don did to Bobbie Barrett back in season 2, I’ve always had the feeling that this guy is a little crazy. Maybe not Dexter crazy, but definitely Tony Soprano crazy. He’s the kind of guy who does a reasonably good job of keeping his temper in check, but when he or his interests are very obviously threatened, he lashes out, grabbing a hold of your private parts and whispering menacing things in your ear. And after Bobbie, we saw that Don wasn’t above hitting a woman. And tonight, we saw that Don wasn’t above strangling a woman to death and kicking her lifeless body underneath his bed, snuggling up under his sheets and going back to sleep.
Now, if we’re those viewers who are so in love with Don Draper that we refuse to believe that any of the horrible things he does actually reflect on his character, then we can write this little episode off in a couple of different ways. One is that it was all a dream, and we do all sorts of cray things in our dreams, right? I mean, if I had a nickel for every person I’ve strangled in a dream, I’d be able to open a savings account or something. I’m not a violent person. All I’m saying is that it happens. If we’re looking at things a little deeper, and taking the fact that Matthew Weiner graduated from the David Chase School of Television Writing into account, then we’ll know that one of the things he learned there was how to use a dream sequence to illustrate some inner struggle a character is going through. We can view this as significant, or tell ourselves that even in his dream Don was delirious.
By now you should know that it’s significant.
Remember, all of this was happening against the backdrop of the Richard Speck murders in July of 1966. Speck was (obviously) a murderer who raped, tortured and killed eight student nurses who worked at the South Chicago Community Hospital. So I think it’s safe to say that’d it be FOOLISH for us to assume that the violence perpetrated against these women didn’t figure prominently in this episode for a reason. But what’s the connection? It can’t just be that Don’s a sadist and feels violently toward women. Remember that Bobbie was kind of blackmailing him when he had his Tony Soprano moment with her in “The Benefactor.” And he was kind of being blackmailed with this woman in tonight’s episode. And what was in jeopardy in this episode was his relationship with Megan. It’s looking for and more like Don is making a serious run at putting his cheating ways behind him for good. He really does seem to be more “in love” with Megan than he was with Betty. When they were still married and had one of those moments when it seemed like they were finally going to start treating each other right, their relationship snapped back to indifferent fairly quickly. But despite the fact that they’ve been married for months, Don is still complimenting Megan on the way she looks, and it seems like they’re still having a reasonable amount of trouble keeping their hands off each other while outside the apartment. They look like they’re in love. So, we can assume — at least for now because who knows that Weiner will throw at us as the season goes on — that Don’s gut reaction to what was happening in his dream was to protect his relationship with Megan at all costs. And Don really took that “at all costs” bit to heart, amirite?
But a final interpretation of this whole thing changes when you look at this as something that really happened (which we know it didn’t, but there’s no reason to believe Don knew that in the moment), and something that happened in Don’s head. If it’s something that really happened, then what Don was reacting to was just what I said: a threat to his marriage. But if we look at this as something that happened in Don’s head, then what he was reacting to is open to interpretation. This woman who Don used to work with and slept with on I’m assuming a couple of occasions caught him in a vulnerable position. He was sick and alone. Don told her that he wasn’t the guy she used to run around with and asked her to leave several times. And each time she came back at him, even coming back to his apartment after he had kicked her out. She gets him while he’s lying in bed, and finally Don succumbs and they do their thing. Whenever it’s all over, she tells Don that they’ll do this again, and brushes him off when he tells her it isn’t going to happen. And it’s only then that he snaps and strangles her. Here, if we take this women to be a representation of Don’s weaknesses, we could look at it as Don striking out at a part of himself. A weakness that he doesn’t like and wants to get rid of. I said that Don isn’t a sadist, but we know he’s a masochist (remember this little chestnut?).
Don’s got problems any way you look at it. He had a bad childhood. He stole someone’s identity while in Korea. And you couldn’t describe his marriage to Betty as healthy. But, he’s trying to be better. And if you look at the fact that this dream Don had was brought on by a fever, then you could even look at it as symbolic. Representative of Don getting better, and becoming a better person. It’s something to think about.
Perhaps less interesting, but more of a reason to pump our fists in the air, “Mystery Date” marked the return of the dreaded Greg Harris, Joan’s douchebag husband who I think most people were hoping would get killed in Vietnam. Greg’s only been home for a couple of hours when he tells Joan that, in ten days, he’s going to have to ship back out to Vietnam for another year. And when Joan thinks that these are his orders and that he never had a say in it, she finds a way to deal with it. But at dinner that night she discovers that Greg volunteered to go back, and that, obviously, is a bridge too far. She tells him that she’s tired of trying to make him feel like he’s a good man when she knows he isn’t.**And if there’s some need he’s got that the military’s fulfilling that she’s not, well, he can just get the hell out. And he does. Of course, not before he throws out a token, “If I walk out that door IT’S OVER!” But Joan’s not having any of that, so he goes.
(**Remember when Greg raped her before they got married? Well, Joan’s held onto that AND SO HAVE WE.)
Honestly, I was surprised to see the show get rid of Greg so quickly, and so cleanly (although I guess they could always bring him back). It’s too bad Joan’s relationship isn’t looking as good as Don’s right now, all things considered. But, it might help clear the way for Joan and Roger to get back together. You know you want it.
Game of Thrones – “The Night Lands”
Posted: April 8, 2012 Filed under: HBO, Game of Thrones | Tags: HBO, television, TV, entertainment, Game of Thrones, George R.R. Martin, David Benioff, D.B. Weiss, Lena Heady, Jack Gleeson, Michelle Fairley, Emilia Clarke, Sophie Turner, Maisie Williams, Peter Dinklage, Nikolaj Coster-Waldau, Kit Harington, Richard Madden, The Night Lands Leave a comment »
Do you guys remember when Amazon forever lowered the standards of the literary world when they started allowing any asshat with Microsoft Word and an internet connection to start selling their books in the Kindle store? Now, EVERYONE’S an author!
It may be a bad metaphor, but things don’t look too different in Westeros ever since the North rose up against King Joffrey. Now, EVERYONE’s a king! We have Joffrey in King’s Landing. Robb in Winterfell. Stannis is coming from Dragonstone. We’ve got Dany, still wandering around in the Red Waste. And now Theon and Balon Greyjoy are trying to get in on the action. And through the course of “The Night Lands,” we’re able to check in with all these guys, plus a few more. There are times where watching this show feels like running a marathon. There’s just so much to see.
And because of that, we’re sometimes able to only spend a few minutes with any given character. And because of that, it’s kind of hard to sum up the struggles of these characters in any given episode with a cohesive theme. And that’s okay. Game of Thrones isn’t an episodic show. Instead, we often look back at the hour once the credits have started rolling, and feel much like we do after spending an hour or so reading the book: We’ve still got such a long way to go.
But the things we saw this week were important. We saw that the soldiers Joffrey sent out to kill all of Robert’s bastards (the FIGHTIN’ bastards!) finally caught up with Arya’s caravan, on its way to the Wall. Luckily for her she’s not the one they’re looking for. That honor fell to Gendry. I was a little surprised that after hearing that whoever gave Gendry up would be rewarded, the caravan still kept its mouth shut. I’m not really sure what to attribute that to. Maybe a collective dislike of Joffrey, or the more broad “man.” Remember that all of these guys (plus Arya) are future members of the Night’s Watch, so maybe there’s already a sense of camraderie or brotherhood setting in there. Anyway, Arya surprised no one by coming out to Gendry, her silence speaking volumes when he told her to whip out her manhood and take a piss in front of him. I liked the back and forth between the two, with Gendry acting embarassed that he had handled himself the way he did in front of a Lady. Although at first I took it as a sign that he didn’t exactly believe Arya when she said she came from House Stark.
Speaking of women who aren’t exactly what they seem, wasn’t it great, watching Theon reunite with his sister? Looking at everyone on the show who’s trying to lay their claim to the throne, Theon and his dad are the only ones I look at and think, “What the hell are you doing?” The Greyjoys kind of strike me as the Newt Gingrich of Westeros. I’m sure they’ve got their supporters, and there’d be some people cheering is Balon somehow captured the Iron Throne (or at least forced a floor fight at the Tampa convention), but by and large, no one wants him as their king.
And Theon isn’t really someone I see inspiring a lot of confidence in anyone. When we see him in tonight’s episode, he’s screwing some woman in the hold of this ship, talking about hard places breeding hard men (you’ve got to love the sexposition on this show) and how they’re probably going to hold a parade or something once he gets back to the Iron Islands, because they’re simple folk and don’t have much to get excited about. Once he disembarks and finds that no one really gives a crap that the prodigal son’s returned, he throws in his lot with the first woman to show any interest in him at all, a woman he promptly makes a pass at and not long after learns is his sister. It seems that Theon’s more in love with the perks that come with power, rather than what wielding that power (responsibly, anyway) actually means. You kind of see him as the kid in high school who joined band because he thought it guaranteed him friends. Which, I grudgingly admit is kind of understandable. After all, he’s spent most of his life living in the shadow of the Starks. Now, he sees his chance to steal some of the spotlight, and dammit, he’s going to take it. Or maybe not. Once he gets back, Balon, who looks like he’s been sitting in front of that fire for the past twenty years, stewing over his failed rebellion, tells him that there’s no way in hell the Greyjoy’s are going to be handed power. They’re going to go out, grab it by the soft stuff and beat it into submission because it worked out so well for them the last time. Only time will tell how it works out this time around.
As you might have expected, Tyrion is still the most entertaining part of the show. In last week’s premiere, when Cersei asked him what he knew about ruling, he said that he didn’t know anything, but he knew people, which as it turns out, may be even more important. Politics plays a huge part in this show, and I think has been rightly named a “game” by it. But now that Tyrion finds himself in a position of power inside King’s Landing, he’s discovering that there are those who play that game just as well as he can. One of those is Varys, who Tyrion finds in his quarters, chatting up his lady friend, but promising never to tell Tywin how he brought a whore to Joffrey’s court. Tyrion beginning to consolidate his power by replacing Janos with Bronn as the head of the City Watch is probably a smart move, since it doesn’t seem like he has many friends elsewhere, even among his own family.
We don’t get to spend much time with Dany this week (always a shame), and only a little more with Jon Snow and all the shenanigans going on north of the Wall. We’re given only a small tease that Craster may have struck some bargain with the White Walkers, and is handing over his male children to them in return for who the hell knows what. I complain that we’re not spending enough time with these characters, but I should probably be thankful the show’s not airing on AMC. Then we’d probably be spending all our time beyond the Wall, following the zombie apocalypse and the breakdown of civilization.
